Graham Harman has responded to my earlier piece on Academic Nihilism. Unsurprisingly, for those who have followed his career advice strand of commentary on his blog, he doesn’t suffer from academic nihilism.
In the piece he sees a certain self flagellating, masocistic tendency representative of ‘killjoy puritanical’ moralism amongst leftists around the continental philosophy scene. He also objects to the argument’s assertion that academics have it pretty good on the whole in terms of salary and working conditions.
This isn’t really a debate that will run and run—since the starting premises and overall worldviews are probably incommensurable. But I do take objection to the killjoy charge. Although there is certainly a tendency around parts of the left to engage in a kind of relentless miserabilism, that is certainly not underwriting this post I hope. If anything, the present author objects to the academic day job (although still desperately hopes that the post PhD world will deliver one) precisely because it is not ‘enriched by good food, conversations with friends, excellent reading, and the teaching of students.’
The Epicurean plenitude of simple pleasures Harman lists here have been somewhat absent in my experience of academia so far. The PhD world seems to be (with, thankfully, a few exceptions) full of weirdly antisocial types whose catchphrases when faced with the prospect of good food, drinks, or conversation seems to be ‘I have to run’ or ‘Have to shoot off’.
To where? Why? Who knows. One would like to think it is because they have work commitments, baby sitters waiting at home, or at least something similar. But that is far from the case in many instances. So why the precocious drift into late middle age?
Similarly, one can’t help but notice that most academics seem a little depressed. Its hard to put your finger on it exactly. Its like a world weary burden that drags them down. However, Harman is right that given the right circumstances teaching can be a joy. Indeed, the life in the undergraduate body is one of the few things that kept me from sinking to the lower depths of academic nihilism in the past year or so.
So I think the killjoy charge is a bit of a red herring.
He probably gets is right, though, that those of us on the left who see things just getting worse and worse ‘out there’ in the ‘real world’ do feel pretty barracked up in our monastic academic communities.
But I think the argument—and this is probably my fault for ordering of the piece—goes deeper than just pertaining to political commitments. More fundamentally, it is about the every increasing research and knowledge production that is getting diced ever thinner and thinner to the point where at some point we have to wonder what the point of it all is? As Matt Damon said in Good Will Hunting (or something similar at least): ‘If you build a house that’s a house that a family gets to live in; building is an honest profession.’
And is he not right in some way? Could not the weariness that afflicts a lot of academics, the endless gripes about teaching, and the endemic cynicism, actually stem from the realisation of the futility and irrelevance of the majority of intellectual labour? The fact that is merely sinks into an ever widening void; the academic sink hole of proliferating journals and conferences.
I intend to write a further blog post emphasizing more this political economy aspect of academia. It seems to me that academia nihilism is almost certainly connected to the expansion of university education, and a field of intellectual discourse that has not expanded at similar rate. Hopefully from this angle killjoy charges won’t stick so easily!



Megalomania and Enlightenment
Posted in Film comment on June 9, 2010 | Leave a Comment »
Werner Herzog's 'Fitzcarraldo'. Is Fitz an Enlightenment hero, or megalomaniacal villain?
Slavoj Žižek once insightfully noted that the only time your ever see productive labour on screen is in the villains’ lairs of the James Bond films. This sounds about right. Take any number of films or tv programmes based around work—even of a white collar kind—and you won’t find many backs to the grindstone. In the 1990s series Ally McBeal, for instance, work seemed to generally involve coffee breaks, watercooler gossip and late night prattling about. When work does make it to the screen nowadays it is in the form of such programmes as BBC 3′s documentary series ‘Blood, Sweat and Luxuries’ where a group of generally posh, young layabouts from London (supposedly representative of an idle culture of consumption in Britain) fly around the world to sample the hardships of manual labour and low wages in assorted developing countries. The moral of the series is cashed out when they are all disturbed by the low wages and go back home to endorse fair trade and send some of their second hand clothes out to help the people—their blissful ignorance preserved, even reinforced, of the fact that their own lifestyles are supported by daddy’s exploitation of workers much closer to home.
Recently, however, I watched two films that put productive labour at the centre of their narratives. The first was Werner Herzog’s 1982 ‘Fitzcarraldo’ and the second the more recent ‘There Will be Blood’ by director Paul Thomas Anderson. In both films a megalomaniacal entrepreneur sets his sights on a grand vision. Fitzcarraldo, played by Klaus Kinski, endeavors to take a steam boat up the side of a mountain and down the other side again. In order to achieve this task he enlists the help of thousands of the local indigenous population to build a monumental pulley system. Similarly, in Thomas Anderson’s ‘There Will be Blood’ Daniel Day-Lewis’ character, Daniel Plainview, sets his sights on building a 100 mile oil pipeline from the oil fields to the coasts.
Whilst superficially both films serve an indictment of the mentality of the Enlightenment figure fixated on the mastery of the world via grand engineering projects, the result is rather one of entrancement. Where our productive infrastructure is generally just taken as a given—to the extent that allows certain sections of society to get quite snooty about it—both films show the sheer ambition necessary to accomplish these groundbreaking feats. Cinematographically there is nothing more awe inspiring than seeing the coordination of mass labour in the service of the construction of a common goal. The building of something from nothing is spectacular to watch and an underexploited theme for filmmaking. Both movies manage to fill the viewer with awe at the construction and sheer force of will invested these projects.
So the question is: are Fitz and Purview heroes or anti-heroes? On one level surely the answer is obvious: they put lives recklessly at risk for their bloody minded determination to achieve their goals. In the Guardian Peter Bradshaw wrote of ‘There Will be Blood’: “The movie speaks of oil’s savage, entrepreneurial pre-history; in one haunted man, it shows our dysfunctional relationship with capital and natural resources, and even hints at a grim future in which our addiction to oil can no longer be fed.” Which is one way of looking at it. Another would be to see in the relentless psychological drive of figures like Purview the Enlightenment project to extricate us from the savagery of scarcity and underdevelopment.
Hegel wrote of the passions of world historical individuals as driving history forward through their unreflexive drive for mastery of the world. Yes, there would be blood split and heart aches aplenty, but through the processes of reason these resolve themselves in the creation of rational, more advanced social forms. Marx took this one step further: the world historical individual had his day and was to be replaced by the world historical class forcing their way into history. Lenin’s centrality in the October revolution, however, showed that even with the collective class forces at work there was still a place for Hegel’s world historical individual too. The Bolshevik party changed the world. Even for die hard anti communists it is hard to argue against the fact that the presence of large communist powers in the 20th century were responsible for the development of social democracy and Keynesianism to guard against revolution at home.
Thus, the megalomaniacal Enlightenment mentality is neither exclusive to the capitalist entrepreneur, nor to the revolutionary communist. Obsessive drive to accomplish goals without the anxious moral quarms and hangups of the reflexive post modern liberal is what actually accomplishes things and moves history forward in a dialectical sense. Fitz, Purview, and possibly even James Bonds’ villains are all in this sense Enlightenment heroes, even if they will have to be beaten on the battlefield by their properly communist rivals.
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